Between Riverside and Crazy

By Stephen Adly Guirgis
Directed by Adriana Baer

March 4, 2018 – April 1, 2018

Alder Stage

Meet Walter “Pops” Washington, retired after 30 years from the NYPD after being shot by a white, rookie cop. Holding court from his recently deceased wife’s wheelchair over a motley crew of housemates, he righteously, tenaciously, holds out for a police department settlement until an ecstatic experience shakes him from inaction.  For once, “Pops” will make it go how he wants it to go while everyone else hustles to get what they think they deserve. A well-lived life can’t only be eating Ring Dings, drinking whiskey all day and living in a ramshackle palace on Riverside Drive, now can it?

  • Explosive Comedy
  • 2015 Pulitzer Prize for Drama
  • 2015 New York Drama Critics Circle Award for Best Play
  • From the writer of The Motherfucker with the Hat
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Illya Torres-Garner


Kevin Jones +^


Julana Torres +


Val Landrum +^

Detective Audrey O'Connor

Ayanna Berkshire +^

Church Lady

Bobby Bermea +


Ben Newman +

Lieutenant Caro

+ Member of Actors Equity Association, the Union of Professional Actors and Stage Managers in the U.S.

^ Artists Rep Resident Artist


Adriana Baer *


Scenic Designer: Kristeen Crosser #

Costume Designer: Alison Heryer #

Lighting Designer: Carl Faber #

Sound Designer: Sharath Patel ^

Stage Manager: D Westerholm +

Props Master: Sarah Andrews

Voice & Text Director: Mary McDonald-Lewis ^

Resident Fight Choreographer : Jonathan Cole *

Dramaturg: Luan Schooler

+ Member of Actors Equity Association, the Union of Professional Actors and Stage Managers in the U.S.

* Member of Stage Directors and Choreographers Society

# The scenic, costume, lighting, projection & sound designers are represented by United Scenic Artists

^ Artists Rep Resident Artist


Check out this interview with the playwright!

Read this interesting article about the first African American NYPD officer. 

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Special Events

Post show discussions follow the matinees on March 11, 21, 25 & April 1.

An Oregon Psychoanalytic Center post show discussion will follow the March 18 matinee.  

March 25 includes open captioning.

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