Previously for Artists Rep: Marjorie Prime by Jordan Harrison and The Price by Arthur Miller. Other Portland credits include Dead Man’s Cell Phone and In The Next Room…or the vibrator play by Sarah Ruhl, Buried Child and True West by Sam Shepard, and The Road to Mecca and My Children! My Africa! by Athol Fugard (Profile Theatre, Artistic Director 2012-2015), and The Language Archive by Julia Cho (Portland Playhouse). Other directing credits include Woyzeck (Bay Area Critics Circle Award for Best Direction), The Maids by Jean Genet, and No Exit by Jean-Paul Sartre at the Cutting Ball Theater in San Francisco (Associate Artistic Director, 2004-2007), and productions in New York including Shakespeare's Romeo and Juliet, A Streetcar Named Desire by Tennessee Williams, Seagull by Anton Chekhov, and The Hairy Ape by Eugene O'Neill (Columbia Stages), and work at Atlantic Theatre Company Stage 2 and The Acting Company. New play development workshops and festivals include Profile Theatre’s In Dialogue Series, Ensemble Studio Theatre, Bay Area Playwrights Festival, The Cutting Ball Theater, Primary Stages and The Lark Play Development Center. Additionally, Adriana has worked with Opera Boston, The Public Theater, Berkeley Repertory Theatre, San Francisco Circus Center/Pickle Circus, Theatre Communications Group, American Conservatory Theater, California Shakespeare Theater and Oregon Shakespeare Festival. She teaches at local universities and coaches theater artists through her coaching company Adriana Baer Creative. Adriana holds a BA from Sarah Lawrence College and an MFA in Directing from Columbia University. Member SDC.